In expanding the Volcano, FabFilter has made inclusions such as this that enable subtlety as well as bolder, more outlandish manipulations. A 6dB/oct slope option has been added, which is welcome particularly for gentle shelving work. The updated Volcano 3 augments the traditional triumvirate of low, high and band pass filters with bell, low/high shelving, notch and all-pass shapes, which is a substantial upgrade. The myriad ways in which the modulation section can manipulate the filter controls point to near limitless sonic options, from funky envelope filtering to mangled chaos. The preset library is well-stocked with solid starting points, more developed processing approaches and a healthy dose of experimentations to showcase some of the creative potential on offer. Version 2 users will be familiar enough to get to work immediately, but those new to Volcano will not need to reach for the manual immediately – although it is needed for deeper dives. It’s an accessible and inviting space of movement and colour, but never overbearing or garish, which is lucky as it is one of those plug-ins you can spend a long time tweaking. The perimeter of the interface hosts the more mundane essentials such as preset management, undo/redo (a must for the inevitable “I swear I had it perfect just now” moments), output/mix, MIDI Learn, full screen mode and processing quality (oversampling). Below this are the main filter controls followed by the user-configurable modulation section. The refreshed UI design combines a real-time spectrum analyser display and filter shape overlays with editable nodes for four filters. READ MORE: SSL Fusion Vintage Drive review: Genuine SSL sound without the cost.The Volcano 3 may technically be a filter plug-in, but now more than ever it is taking the core of four independent filters and stretching and bending them into more complex and capable audio processing effects. With a stonking sound and incredible flexibility, Volcano 2 is a must for anyone seeking a characterful all-in-one filter solution.FabFilter’s recent update of its Timeless delay was notably impressive, so expectations are high for this third iteration of its Volcano filter plug-in, which is already considered to be an established class act. Thankfully, with FabFilter's famously tasty filter algorithms under the hood, the sound is as slick as the graphics, and the broad range of options only sweetens the deal. Overall, Volcano's interface works beautifully, making it a snap to create anything from simple roll-offs to complex rhythmic effects and textures. Similarly, overdriving the filters can create distortion, and the envelope follower can be used to achieve compression. For example, every filter has a Delay setting ranging from 0-50ms - by modulating this, chorus and flanging can be achieved. Each modulator can be routed to one or more parameters by dragging and dropping, and each connection has its own slot in which you can manage the source, destination and polarity of the modulation.īy applying a little know-how (or using the supplied presets), you can also go far beyond the usual resonant filter sweeps. XLFOs can have up to 16 steps, with global and per-step glide settings, and each step can use a Sine, Linear or one of two Square curves.Īll this offers much more control than the original's LFOs, which couldn't manage a sine LFO. Volcano 2 displays the modulators on a scrolling panel, and it's possible to have up to six envelope generators, four envelope followers and six LFOs - or as Volcano 2 calls them, XLFOs. However, rather than being given a fixed number of modulators, you can add or remove them as you see fit. The host-syncable modulation system is superficially similar to that of FabFilter's Twin synth. The filters can be linked so that adjusting or modulating the cutoff frequency or resonance of one affects any others it's linked to - useful when creating stereo effects. The last of these modes is pretty unusual for a filter plug-in, providing great potential for stereo image manipulation.
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